Revenue, in the show, is made from explicit types of white supremacy and anti-blackness working together in a Western, white humanist project.
In that opening scene, the camera cuts to Kim’s facial reaction to her mother’s banter. Frozen by injectables, the facial skin makes no discernible expressive change. The outer lining bears no feeling. This woman is, most likely, a businesswoman, a white entrepreneur of modern blackface. (more…)